Thumbnail boards
Fast rough frames for internal sequence planning.
Creative illustration
Storyboards exist to find problems before they get expensive. A shot that does not cut, a location that cannot hold the camera move, a sequence that runs twenty seconds long — all cheaper to discover on paper.
Overview
We draw storyboards for commercials, film and television, animation, explainer video and corporate production, from rough thumbnails through to presentation boards for client approval.
Speed matters here more than polish. Preproduction boards need to arrive while decisions are still being made, so we work at whatever level of finish the stage actually requires.
What we provide
Fast rough frames for internal sequence planning.
Finished frames suitable for client and agency approval.
Camera movement, framing, transitions and duration marked per frame.
Numbered frames prepared for timing and edit assembly.
Reference designs that keep frames consistent across a sequence.
Boards updated as the script changes, which it will.
Process
The script is broken into shots and a frame count is agreed.
Rough frames for sequence and pacing decisions.
Approved thumbnails worked up to the required finish.
Numbered frames as PDF and image sequences, ready for the edit.
Benefits
Sequence issues surface on paper rather than on a shoot day.
Boards that arrive while the decisions are still open.
Camera and transition notes that a crew can actually work from.
Numbered, timed frames that drop straight into an edit.
Portfolio
A sample of studio work in this category.
Who it suits
Briefs come from single projects and from teams commissioning at volume.
Questions
Anything not answered here, ask directly and you will get a straight answer.
Ask a questionSend the details and a scope, schedule and fixed quote come back within one working day.