BookZenDesign · Illustrate · Publish
Painted scene of a ruined castle at sunset

Freehand artistry

Vector work is precise, repeatable and often exactly right. It is also, unmistakably, made by a machine's idea of a curve. When a project needs to feel touched by a person, that precision works against it.

What this service covers

This is our traditional-media work: ink, brush, pencil, watercolour and gouache, drawn by hand and then scanned and prepared properly for reproduction.

It suits book covers and interiors, packaging with a craft position, editorial illustration, lettering and identity work where the wobble in a line is the point rather than a flaw.

Included in every project

Anything outside this list is quoted separately rather than assumed.

Ink and brush illustration

Pen and brush work with the line quality only a hand produces.

Watercolour and gouache

Painted artwork scanned and colour-corrected for accurate reproduction.

Pencil and charcoal

Tonal drawing for editorial, portraiture and book work.

Hand lettering

Custom lettering and calligraphy drawn for covers, packaging and identity.

Texture and pattern libraries

Scanned marks, washes and textures supplied as a reusable set.

Scan preparation

Artwork scanned at high resolution, cleaned and made print-ready.

Why clients commission this work

Genuinely hand-made

Real media, not a digital brush imitating one.

Distinctive by nature

No two pieces identical, which is the reason to commission it.

Print-ready digitisation

Scanned and corrected so the paper texture survives reproduction.

Original available

The physical artwork can be sent to you or retained for exhibition.

From brief to final files

Each stage has a clear approval point, so nothing large gets built on an assumption.

  1. Direction

    Medium, palette and approach agreed with reference to the end use.

  2. Sketch

    Composition approved in pencil before the final piece is painted or inked.

  3. Final artwork

    The piece is made in the chosen medium, once, by hand.

  4. Digitisation

    High-resolution scanning, colour correction and file preparation.

Typical clients for this service

Briefs come from single projects and from teams commissioning at volume.

Publishers and book designers
Craft and premium packaging brands
Editorial and magazine art directors
Wedding and event stationers
Brands wanting a hand-made identity

A sample of this kind of work

A sample of studio work in this category.

Before you brief us

Anything not answered here, ask directly and you will get a straight answer.

Ask a question

Yes. Physical originals can be shipped after digitisation, or held in the studio if you prefer. Say which at the outset.

Carefully, because painted work cannot be undone. That is why composition and palette are approved at pencil stage; changes after the final piece is painted usually mean repainting it.

Yes, and it often is. Hand-drawn elements are frequently scanned and composed digitally, which keeps the character while allowing layout flexibility.

600 dpi or higher for line work, 300 to 600 dpi for painted artwork, colour-corrected against the original.

Ready to brief this project?

Send the details and a scope, schedule and fixed quote come back within one working day.